tisdag 13 mars 2012

"Little Bee" av Chris Cleave


Ibland är det skönt att var först på bollen.

”Först” är då naturligtvis en relativ term när vi pratar om en bok som kom ut i England 2008, sålt i enorma mängder, hyllats av kritiker och nominerats till en uppsjö av litterära priser. Men jag tipsade i alla fall om den här långt innan Inga-Lill Mosander viftade med den Go Kväll!






Sen har Tanta god smak (för det mesta) och helt rätt. Det här är en bok precis alla borde läsa. Gammal som ung. Kort och lång. Läckbergläsare som Dostojevskijkonnässör.

Den har liksom allt. Gripande, spännande, rolig och bildande. Utan att anstränga sig dessutom.

I två år har den nigerianska flickan Little Bee suttit inlåst på en flyktingförläggning utanför London. Tiden har hon ägnat åt att studera engelska och fundera ut olika sätt att ta livet av sig ifall männen som tvingade henne på flykt plötsligt skulle dyka upp. Hon är arton år när hon släpps ut från förläggningen. Vart ska hon ta vägen, utan pengar eller kontakter? Det enda hon har är ett visitkort till en person vid namn Andrew ORourke. Sist hon såg honom var på en strand i Nigeria. Kanske kan han hjälpa henne nu. I en annan del av England försöker den nyblivna änkan Sarah ORourke hitta en ny tillvaro med sin son. Hon tänker mycket på semesterresan till Nigeria för två år sedan som blev början på slutet för hennes familj. Allt förändrades den kvällen på stranden, då de mötte en flicka vid namn Little Bee...

Läs den. Få andra att läsa den. Det här är något mycket speciellt.

Johan Zillén
Bokia Killbergs Center Syd

måndag 12 mars 2012

Gästbloggare: Peter James

Bokboxen proudly presents: Vår första utrikiska gästbloggare, brittiska kriminalförfattaren Peter James (han står också för Bokboxens, utan konkurrens, hittills längsta text). I dag publicerar vi det första inlägget i den trestegsraket av Peter James-texter som kommer att leda fram till släppet av Den enes död i april. Mina damer och herrar...


For me, research is as important an element in writing my novels as character and plot. I view each of these elements as an inseparable trinity. Each of my Roy Grace novels has its genesis in a true story or in research facts – as indeed do all of my previous novels.

Dead Simple (Levande begravd), for instance, came out of my fascination with Edgar Allan Poe as a child, and the terrifying notion of premature burial – and the research I did into whether such a thing as unintentional premature burial can happen today. Looking Good Dead (Ett snyggt lik) was triggered by a phone call I received ten years ago from a police surgeon, who asked me, with my film-maker’s hat, to analyse film footage, seized by Sussex Police, of a young girl being knifed to death. They wanted to know if I thought the girl was acting, or if it was real – a snuff movie. Not Dead Enough (Långt ifrån död) came out of my learning that identity theft has overtaken drug dealing as the fastest growing crime in the western world. The genesis for Dead Man’s Footsteps (Död mans fotspår), in which a man uses the nightmare of 9-11 to fake his disappearance, was a visit I made to a Police open day at the Missing Person’s Helpline, where I learned that 230,000 people are reported missing every year in the UK, and of those, 11,500 will never be seen again. And the spark for Dead Tomorrow (Den enes död) came from a chance conversation at a dinner party, back in 1998.

The central story of Dead Tomorrow is a single mother, Lynn Beckett, whose 15 year old daughter, Caitlin, is suffering liver failure. Unless she gets a transplant within weeks she will not survive. Knowing the true fact that 3 people die every day in the UK waiting for a transplant, Lynn panics that the system will let her daughter down and goes on the internet– and discovers a German organ broker who can obtain a liver for her – but at a terrible financial and human price.

At this dinner I was seated next to multi-award winning documentary film maker Kate Blewett – best known for the harrowing The Dying Rooms, who asked me how much I thought I (my body) was worth as a soup of chemicals. I told her I had no idea and she replied, "About 50p". Then she asked how much I thought I was worth in body parts as a reasonably healthy human being – and stunned me by telling me the black market price for a healthy teenage or adult human is around $1 000 000. You can get up to $400 000 for your liver, the same again for your heart-lungs, $60 000 for each kidney, then your skin, eyes, bones, and a few other bits and pieces…. The reason being there is a world shortage of human organs, caused by improvements in transplant techniques, a reluctance for people to donate, and most ironic off all, by more people wearing car seat belts – which means they don’t die of head injuries so much any more, leaving their bodies – and internal organs – intact. As a result, three people die every day in the UK, waiting for a transplant. Around 20% of people on the liver transplant waiting lists will die before they get one – in the USA the figure is as high as 90%.

In the past decade a huge international market for human organs has evolved. In some countries it is illegal in others, it openly goes on. China has been steadily lowering the threshold of the death penalty for several years running, executing prisoners with a single head-shot and selling their bodies to Taiwan. Manilla in the Philippines is now known as One Kidney Island. You can go there for an all-inclusive price of about £50 000, and get a kidney transplant. In India, in some castes, women routinely sell one kidney before they get married, for their dowry, and are joyfully happy with the $250 they receive. In Columbia, the mafia are making more money out of human organ trafficking in some parts of the country, than from drugs.

As a true example of the illicit trade, in 1990, eminent British kidney transplant surgeon, Dr Raymond Crockett, who I have interviewed, was struck off the medical register for nine years for illegally buying kidneys, for UK patients, from four students in Turkey.

I was told a terrible story by a human rights worker in Colombia. It was about an eight-year-old street kid called Juanita who was begging outside El Dorado Airport in Bogota. She was arrested by the police and handed to a care agency. From there she was put in an orphanage, a beautiful home in the country, with other kids her age. When she was fourteen, the parents of a teenage girl in the USA, desperate for a liver, paid the Columbian mafia $450,000. Juanita, who was a match, was killed and all her organs were harvested. I am sure you are think that as I write fiction, that story was fiction. But sadly it wasn’t, it was true… And I used elements of it in Dead Tomorrow.

Much closer to home, I visited Romania on a research trip for Dead Tomorrow. Romania has some of the most vulnerable people in the world living in it, an inept and utterly inadequate social welfare system, corrupt politicians and a corrupt police force. And – just five years ago – we welcomed this country into the EEC.

Thanks to the legacy of Nickolai Caucescau, the despotic dictator who came to power in 1965 and was eventually, mercifully, shot in 1989, there are an estimated 10,000 people, many of them kids, living rough on the streets of Romania, mostly in Bucharest – and about the same amount of stray dogs. These children are known as “Children of the Decree.”

When Caucescau came to power, he had a vision of building Romania into the greatest industrial nation in the western world. To do that he needed to rapidly increase the population, and to this end he made it compulsory for all girls, from the age of 14, to have a pregnancy test at their doctor’s once a month. If they were pregnant, they were not allowed to abort. The result was thousands of unwanted children who ended up in care homes – grim, government institutions, from which many then ran away.

I was fortunate to meet a truly good man in Romania – a former UK police officer called Ian Tilling, who was recently awarded an MBE for his services to Romania’s homeless. Seventeen years ago, whilst serving hin Kent, his son was killed in a motorcycle accident, and his life fell apart. He decided to have a complete change and went to Romania to see how he could help the plight of street kids there. Shortly after his arrival, he was offered a visit of a state institution for homeless crippled children. Any kind of deformity was frowned upon in old Romania. He told me how he had decided to buy a sackload of toys to take to the kids. When he arrived he was shown into a dormitory containing forty children, aged between eight and eleven, each of them in a cage – which, he was told, was to stop them from stealing each other’s food. One solitary matron presided over the room, Rosa Klebb’s double, seated at a table, reading magazines all day long.

Ian handed out the toys, and then saw the children staring blankly at them. They didn’t know what to do with them. No one had ever taught them how to play.
One of Caucescau’s legacy’s is a communal central heating steam pipe, a network of which scans the length and breadth of Bucharest. In the city centre it is underground, but in the suburb it runs for kilometres above ground. Every office, house and apartment in Bucharest used to get its heat from tributaries of this pipe, and some still do. The heating is switched on in autumn and off in spring. For most of the street kids, it is a lifeline. They live along side it, either in shanties built along the pipeline, or in holes beneath the roads, where the pipe is underground, getting warmth from it. They beg, they sell second hand newspapers, they steal, and they sniff metallic paint, called Aurelac, not because it gives them a high, but because it takes away their constant hunger pangs.

I went with my publisher at midnight one night to Bucharest’s main railway station, Gara du Nord, where a lot of street kids hang out. We bought armfuls of chocolate and biscuits and approached one group. My publisher asked them if they would speak to me, telling them I was an English writer. They were delightful. One teenage couple was holding a baby, and all of them told me that they were brutalized by the police, slept rough, were desperate to get out. Several of the girls said they had heard there were people who could find them good jobs in England, working in bars, nightclubs, restaurants, hotels. But that is not where they will end up.

The lucky ones will find themselves “debt bonded” - which means arriving in a country such as the UK already £10k in debt to their kindly trafficker. They will be put to work in a brothel until they have paid this off, except of course they will never pay it off because their handler will get them hooked on drugs, and they will just be on a permanent downward spiral. I say “lucky” ones, because a worse fate awaits the unlucky ones – who will find themselves unwitting organ donors. Some will lose just one kidney; others will lose their lives.

Ian Tilling runs a hostel, which provides a temporary home for 50 people. I talked to one of his residents, Andreea, who was dumped in a home by her mother at the age of eight, and lived on the streets for the next fifteen years. She has been raped, given birth and had the child taken from her. When I met her she told me she had just been talking to a friend, who was going to introduce her to someone who could get her out of Bucharest, and to London, where she could a highly paid job as a waitress and a really nice flat. A nice dream. She’ll be arriving soon, debt-bonded, to a trafficker near you….

But of course for each novel, it is not just the lives of my villains and victims that I research, keeping current with the police and getting the correct police procedures right is absolutely crucial. Early in Dead Tomorrow, a dredger hauls up the body of a recently dead teenager from the seabed, just off the coast of Brighton. I needed to understand how a dredger works, and what it does, so I spent a day at sea on a working one, off Shoreham. Then I needed to understand what the police would do in this instance, and was told a Police dive team – the Specialist Search Unit - would go out and search the seabed for clues. The SSU kindly took me out to sea on a training exercise – and there I learned too much information…!!! I always had a romantic notion that being a police diver must be a great gig – you get to swan around in scuba gear, getting paid to do what you love. Wrong!

It was explained to me that the police almost always dive in zero visibility – in muddy canals full of barbed wire and rusting supermarket trolleys and jagged metal, or in sewers, or in weed-strewn lakes, or the bottom of the English Channel which is always churned up. Their procedure is to drop a weighted line down to the sea bed, then connected to the surface by a voice line and air line, they sink down, carrying a 200 metre cable over their shoulders, with a weight on each end of it – this is called a “jackstay”. They then lay it out in a straight line on the sea or river bed, and swim back, holding the line in one hand and sweeping in the pitch darkness with the other. If they find nothing, they move the weights a foot to the right or left, gridding out the bed. When they find a body, under their strict procedures, they have to hug it, in case a current carries it away, and radio to the surface for a colleague to descend with an airbag to raise it to the surface. They will have no way of knowing whether this body has been there for days, or weeks or months, and it is likely to be crawling with crabs. Small wonder that several police officers I’ve talked to, who have recovered bodies from the sea, have been put off eating shellfish for life. Respect!

Peter James är författare och filmproducent. Han bor i Brighton, liksom Roy Grace. I England i år har han toppat flera försäljningslistor (både för inbundna böcker, pocketböcker samt e-böcker). Han har nominerats till flera prestigefulla priser och vunnit ett av dem: The Quick Reads Reader’s Favourite Award.

fredag 9 mars 2012

Tävla med Bokboxen - Vinn en deckare!



Idag släpps Katarina Wennstams nya deckare Svikaren. För att fira lottar Bokboxen ut fem exemplar till våra läsare. Allt du behöver göra är att svara på frågan:

"Vilka två fotbollslag byter Sebastian Lilja mellan i boken?"

Maila ditt svar till bokia.killbergs@gmail.com senast den 16 mars. Bland de rätta svaren drar vi sedan fem vinnare. Lycka till!

torsdag 8 mars 2012

Boktrivsel i Babelfåtöljen



Jodå, Jessika Gedin lyckades tindra med ögonen (annars en av Daniel Sjölins specialiteter) och skapa litterärt myspys med den äran i gårkvällens Babel. Av premiärnerver märktes föga, däremot en stor iver. Kanske lite väl stor ibland, hade gärna sett gästerna få prata till punkt i något större utsträckning.

Mysfaktorn var alltså hög. Det var riktigt trevligt att få stifta närmare bekantskap med Per Hagmans person (hans debut lusläste jag som en del av min c-uppstas i littvet), och jag blev väldigt förtjust i biblioterapin. Men om jag hade fått önska hade paneldiskussionen om biståndslitteraturen fått skära lite djupare. Intressanta frågeställningar om den hjälpandes skuld och individualiseringen i litteraturen som antydde hur böckerna kan spegla och problematisera vår samtid på oändligt många sätt. Men istället hölls samtalet på en hyfsat ytlig trivselnivå. Denna trivsel-invändning hade jag redan under Daniel Sjölins tid, men nu - med ny programledare och nya tag så hade man kunnat hoppas på lite fördjupning. Kanske kommer den?

Och så är det sändingstiden! Inte alla kulturintresserade har sköna bestäm-dina-egna-tider-jobb och för en kvällstrött person som ska upp 05:30 känns 22:15 helt enkelt lite för sent. Gäspade mig igenom slutet av nya Aktuellt och Sportnytt, och även om gäspandet avtog så snart Babel-jingeln började spelas så blir det nog Play för mig framöver.

Missade du programmet? Se säsongsstarten här.

Susanna Mattsson
Bokia Killbergs Jägersro

onsdag 7 mars 2012

Jessika, yes or no?

foto: Johan Knutsson

Jävla Knausgård! Så tänkte jag när jag såg intervjun där Daniel Sjölin avslöjade att det var mötet med den norske författaren som fått honom att vilja skriva igen. Och därför sluta jobbet som programledare för Babel.

Jag minns det allra första avsnittet. En rufsig kulturkille med halsduk (har jag för mig) lite nonchalant slängd över axeln gjorde gullig och lite nybörjarnervös bok-tv. Jag var inte övertygad. Men jag blev. Daniel Sjölins entusiasm inför litteraturen är av sällan skådat slag och självklart kommer jag att sakna honom.

Eller kommer jag det? SVT:s genigrepp är nämligen att ersätta Sjölin med en av de få personer som jag tror kan fylla hans skor. Och det med råge. Jessika Gedin! Humoristisk, smart, kunnig och med ordentliga rötter i bokbranschen. Ikväll gör hon entré. Jag tror det blir hur bra som helst.

Läs mer om Jessika Gedin här.

Susanna Mattsson
Bokia Killbergs Jägersro

tisdag 6 mars 2012

Saker under huden

I en av mina favoritfilmer, The Pillow Book av Peter Greenaway, är huvudpersonen Nagiko besatt av att människor skriver på hennes hud. I filmen riktas fixeringen mot själva handlingen, skrivandet. Men vad gör man om man blir besatt av själva texten i en bok? Tatuerar in den såklart.

Tattoolit kan man beskåda många fantastiska tatueringar med litterär anknytning. Bland dem finns flera egna favoriter.

Tatuering av Jason Kelly: Memorial Tattoo, Atlanta

Som den här fantastiska bilden från To kill a mockingbird av Harper Lee. Ägarinnan skriver:

"To kill a mockingbird has always been my favorite book and I remember reading it as a 14 year old for the first time. I specifically remember thinking: “if I ever have a daughter, I’d like her to be just like Scout.” Nine years later and I have a four month old daughter, who we named Scout Harper. I got this tattoo as a reminder of preserving innocence, striving for justice, and to always remember never to judge. All of the characteristics I pray my daughter will have. "



Eller som här: En del ur min favoritdikt av Maya Angelou. Strofen på höften lyder: “Just like moons and suns, with the certainty of tide, just like hopes springing high, still I rise.”

Dikten tolkas för övrigt av Ben Harper på albumet Welcome to the cruel world. Lyssna och njut. Överjordiskt vackert tycker i alla fall jag.




Den här tatueringen har klara likheter med en logga jag känner väl till... Kliv in i en annan värld, någon? Även om inspirationen i det här fallet hämtades från Ruined by reading: A life in books av Lynne Sharon.



Den inbitna bokmalen kanske vill fortsätta fördjupningen i de litterära tatueringarnas värld mellan två pärmar. Då finns boken The world made flesh - Literary Tattoos from bookworms worldwide, författad av skaparna bakom sajten; Eva Talmadge och Justin Taylor.


Kanske hittar du inspiration till en egen tatuering här. Vilken min skulle vara? Klurar på det. Kanske "Ä, spring tillbaka till skogen! Ni ser ju inte kloka ut med lösa öron och allting, sa Loranga." Kanske något helt annat.

Susanna Mattsson
Bokia Killbergs Jägersro

måndag 5 mars 2012

Criminal vår(ld)

Det ser ut att bli ett bra deckarår i år. Våren har ju börjat starkt med en nionde Harry Hole-bok, Gengångare, och introducerat en spännande ny bekantskap i Robert Kviby och hans debutthriller De Korrupta (Läs Roberts gästblogg här).

Själv är man ju så priviligierad att man redan hunnit läsa både de tu ovan nämnda och en hoper av vårens kommande kioskvältare. Alldeles strax kommer Katarina Wennstams fjärde roman, Svikaren. En skakande historia om våld och intolerans i fotbollsvärlden.


Håll ögonen öppna. Vi kommer inom kort att tävla ut fem exemplar av Katarinas bok på Facebook och här på bloggen.

Den 7:e maj kommer vad både jag och andra bokförståsigpåare misstänker blir årets (för att använda en sliten klyscha) ”Stieg Larsson”. Mycket sannolikt årets bästa kriminalroman. Alexander Söderbergs beroendeframkallande debut Den andalusiske vännen! En mycket spännande thriller! Redan såld till sex miljoner länder för 25 kronor eller möjligtvis tvärtom! Detaljer är inte viktiga! Listen very carefully, I shall tell you this only äuonce!

Sophie Brinkmann - sjuksköterska, änka och ensamstående mor - möter Hector Guzman på avdelningen där hon arbetar. Han ligger inne med en benskada efter att ha blivit påkörd vid ett övergångställe i city. Sophie och Hector finner varandra där och då - och mot sin vilja dras hon till honom på ett vis som hon inte kan värja sig emot.

Men Guzman är något annat än han utger sig att vara, och genom bekantskapen med honom hamnar Sophie mot sin vilja mitt emellan två brottsorganisationer och en grupp utredande poliser. Det som börjat försiktigt eskalerar utom kontroll, och Sophie Brinkmann blir en bricka i ett spel som tar henne bort från allt hon tidigare värdesatt, hållit för sant och trott på.

Mitt i detta dyker en person från hennes förflutna plötsligt upp och hon måste med alla medel skydda sig själv och sin son inför det oundvikliga - att välja sida.




Skulle någon bok kunna trumfa Söderbergs i år så är det förmodligen den som så trevligt dunsade ner i min brevlåda i måndags…

Hur man gör en simpel bokhandlare mycket lycklig. Muchas gracias Piratförlaget!

Den sjätte delen i sviten om Kommissarie Ewert Grens (efter: Odjuret, Box 21, Edward Finnegans upprättelse, Flickan under gatan & Tre sekunder). Visst finns risken att Roslund & Hellström tappat stinget men jag bedömer den som relativt låg. Hör av mig inom kort med domen….


Johan Zillén,
Bokia Center Syd


(Guldstjärna och Göteborgskt hedersmedborgarskap till er som tog Bowiereferensen i rubriken)